Who’s in the Zoom? Raquel Meseguer Zafe on Crip Tech & Belonging

Crip Practice & Belonging: Wishes for an Inclusive Recovery by Raquel Meseguer Zafe. Book your free space now!

We Shall Not Be Removed is VERY excited to announce just one of our upcoming Who’s in the Zoom? events…

Crip Practice & Belonging: Wishes for an Inclusive Recovery by Raquel Meseguer Zafe

In this webinar, Raquel will share her recent research Crip Tech & Belonging which explored how we go beyond standard access to create a sense of belonging in our public spaces.

Raquel willalso share her efforts to create a Resting Spaces Network, her wishes for an inclusive recovery in the arts, and consider how we might convene conversations with local art organisations & venues to move towards more equitable spaces.

Book your space

This event is part of our Who’s in the Zoom? series, which will take place online via Zoom.

BSL & live captioning will be provided as standard.

Please book your free space via Eventbrite:

About Raquel Meseguer Zafe

Raquel is a UK based practitioner whose work straddles theatre, dance, installation, performative conversations and photo-documentary. She identifies as dis-abled, and works with rest and horizontality as creative impulses.

Raquel founded Unchartered Collective in 2016 to create theatrical encounters that explore the lived experience of invisible disability. A Crash Course in Cloudspotting is supported by ACE, Unlimited, Mousonturm, Fabrica, PMStudio and MAYK. In 2019 an iteration of the piece toured Mexico, with British Council support.

Raquel also co-founded Lost Dog and was Associate Artist on Paradise Lost, and Juliet + Romeo. As a movement director, Raquel has collaborated with director Rachel Bagshaw on The Shape of the Pain, and director Amy Hodge on The Rover, Mother Courage & Her Children, and Monsieur Linh & His Child, currently in R&D with writer Jude Christian.

Raquel is currently Dancer in Residence at Arnolfini 2021, and was awarded a 2020 PMStudio Future Themes grant to explore ‘Crip Tech & New Modes of Togetherness’.